from Vacquieres, France: fields of dreams

Sunday Afternoon

So I had to ask Jean-Benoit Cavalier, winemaker, proprietor of Chateau de Lascaux – what do you like best about this life of a vintner? Is the work in the fields? The mixing, blending? The harvest?

We were walking through the mixed forests, the garrigues, just north of his village of Vacquieres and every so often we would come across a field of vines. It is the nature of winemaking here: these woods are part of the terroir. And each vine-planted plot has a story – an age, an expectation, a purpose.





I already know Jean-Benoit loves his work. He told me so. And really, it is obvious.

He tells me now how deeply satisfying it is to reflect about the entirety – putting together the whole story of a wine, from the planting to the final bottle placed in the cave. Watching it unfold, shaping the outcome.

The harvest is one important part of that entirety. Jean-Benoit leaves the vacation home up north, in the mountains, two weeks before the end of August.

I come back to the village and I think about how to run the harvest that year. It requires all my concentration and so I like to be alone then.

And there are other elements of pride – I can see that. There’s his family, sure. And his village, Vacquieres. His wife, Isabelle, is a fan of it as well.

Just the right size, she says to me. Three hundred people. No more. At this size we all look after each other, there is a sense of community. It is quite wonderful.

Aren’t all villages like this here, in the south of France? I think of Pierrerue – my June retreat this year, also with about three hundred. And with people who believed it was special, unique. Or maybe I have just visited the only two special and unique villages. These are it! They are the beloved ones, the savage babes (another term I hear about Pierrerue and now Vacquieres – sauvage, untamed by the outside world)!

Jean-Benoit pauses at a field of vines that is already harvested. Organically grown grapes, because they are better that way. The leaves are starting to turn. In a few weeks it will have to be a fiery red blaze of color.





It is my first planting of a new field. The soil is terrible – layers of deep stone…
So why would you choose to plant in this spot?
Because I like coming here. Look, you can see the village, just so.









…There are trees on all sides. I can show you something else – bee hives. I have someone tend to the bees here.

I look closely. Why do I think a photo of a bee is well worth the encounter of a close kind? Maybe to remember the moment.








And sure enough, a bee gets tangled in my hair. I remember childhood summers in the Polish countryside, with my grandparents. At least once each year a bee would dovetail right into my hair. There is a choice: endure a bite to the scalp or fish the bee out with your hand, knowing that you will get stung. I fish, I get stung.

I will remember the moment.

Back in the car, we drive up through a dense fragrant forest. The rain has really intensified the scent.

Rosemary? I ask, but I know the answer. The herb is everywhere, growing in the wild, adding its distinct essence to the forest floor.




See this? It is a capitelle, a hut, a shelter, from sheepherding days. It is probably two thousand years old.





We crawl inside. Jean-Benoit touches the roof, nicely layered into a conical shape.

It’s fine work, isn’t it?

He could be talking about the hut, he could be talking about winemaking.

Earlier in the afternoon, we had stopped at the garage/cave of his friend, Christophe. It was after the Sunday meal. Family members were gathered to help with the press. Christophe is a writer, a vintner (Domaine Beau Thorey), a man of several trades. He presses his grapes by hand.





We like Americans because they gave us this model of a hand press. It is a California invention!
We like the French because you gave us your wines.

The men push, with great breaks in between. There are no pauses in the laughter.

We linger until the pressing is finished and the residue is carted away in wheelbarrows.





One spot you have to see. Jean-Benoit knows the roads well. I am lost, but then I am always lost when a local person keeps track of the turns.

Before us, in the gray light of a misty, drizzly day I see a vineyard, stretching toward the hills. At the end of it there is a church, standing alone, unprotected by village houses.





If you want a memorable wedding, this would be the scene. The feeling of your place in the scheme of things is tremendous. You get the sense that life is about your backbreaking work in your (chosen) field and the passion that drives you forward. Or is it I’ve been hanging around Jean-Benoit Cavalier and the Chateau de Lascaux too long...

Is there such a thing as a perfect moment? A perfect cluster of grapes? A perfect wine? …village? …host? Perfection, defined not only by the result, but also by the beauty of the effort that went into it? Do you need me to answer that?