Friday, January 28, 2005
Have you ever flown into the sunset in the same instant that your family flies into the sunrise?
One could, I suppose, draw great symbolism from this, but I haven't quite figured out what it is. As I was booking my return flight to Madison for Monday and a return flight for other family members living on the east coast on that same date, I came up with the most unusual reservation: same airline (United), same point of departure (Pittsburgh), same time (5:45), opposite destinations (Chicago and New York).
Do the two planes share a runway and pass each other at take off? Should I wave?
Do the two planes share a runway and pass each other at take off? Should I wave?
Some weeks are a breeze; some are not.
That this week has tested the “difficult” to “impossible” continuum is an understatement. That I am unscathed toward its end is attributable entirely to those of you who have ridden with me, chatted with me (on email or otherwise) late and early, and allowed me to keep chipper and sane as I navigated endless hurdles that cropped up. Thank you thank you.
Light posting ahead (Saturday through Monday) as I travel to attend to business elsewhere. I will have my computer with me, but be patient: Ocean will be surfacing here and there, as time and circumstances permit.
Light posting ahead (Saturday through Monday) as I travel to attend to business elsewhere. I will have my computer with me, but be patient: Ocean will be surfacing here and there, as time and circumstances permit.
An unusual beginning to an Ocean day: a poem by Robert Frost
(bold emphases are my own)
An Old Man’s Winter Night
All out of doors looked darkly in at him
Through the thin frost, almost in separate stars,
That gathers on the pane in empty rooms.
What kept his eyes from giving back the gaze
Was the lamp tilted near them in his hand.
What kept him from remembering what it was
That brought him to that creaking room was age.
He stood with barrels round him—at a loss.
And having scared the cellar under him
In clomping there, he scared it once again
In clomping off;—and scared the outer night,
Which has its sounds, familiar, like the roar
Of trees and crack of branches, common things,
But nothing so like beating on a box.
A light he was to no one but himself
Where now he sat, concerned with he knew what,
A quiet light, and then not even that.
He consigned to the moon, such as she was,
So late-arising, to the broken moon
As better than the sun in any case
For such a charge, his snow upon the roof,
His icicles along the wall to keep;
And slept. The log that shifted with a jolt
Once in the stove, disturbed him and he shifted,
And eased his heavy breathing, but still slept.
One aged man—one man—can’t fill a house,
A farm, a countryside, or if he can,
It’s thus he does it of a winter night.
An Old Man’s Winter Night
All out of doors looked darkly in at him
Through the thin frost, almost in separate stars,
That gathers on the pane in empty rooms.
What kept his eyes from giving back the gaze
Was the lamp tilted near them in his hand.
What kept him from remembering what it was
That brought him to that creaking room was age.
He stood with barrels round him—at a loss.
And having scared the cellar under him
In clomping there, he scared it once again
In clomping off;—and scared the outer night,
Which has its sounds, familiar, like the roar
Of trees and crack of branches, common things,
But nothing so like beating on a box.
A light he was to no one but himself
Where now he sat, concerned with he knew what,
A quiet light, and then not even that.
He consigned to the moon, such as she was,
So late-arising, to the broken moon
As better than the sun in any case
For such a charge, his snow upon the roof,
His icicles along the wall to keep;
And slept. The log that shifted with a jolt
Once in the stove, disturbed him and he shifted,
And eased his heavy breathing, but still slept.
One aged man—one man—can’t fill a house,
A farm, a countryside, or if he can,
It’s thus he does it of a winter night.
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