Monday, November 15, 2004

Steamy notes on quiet nights

Last week I was telling my senior colleague how much I loved my Astor Piazzola CD (you know, the tango guy from Argentina). Did I ever read the album notes to some of his records and CDs – my colleague asked. No, can’t say that I have. I just like playing it in the background, especially when I am writing – it is so sensuously moody, a melancholy kind of music.

Today I opened an email from my colleague and there they were: program notes from some of the albums I did not have. They came with a suggestion to drink wine, listen to the music and read them out loud (presumably to someone). I am alone at the moment and if I drink wine I wont be able to work or do whatever I have set forth for myself tonight, so I’ll just share the notes with the blog readers. Remember the dry language that typically accompanies classical recordings? Piazzola is every bit a classical artist (this recording is from the 1960s I believe). But read this and tell me if you find it boring (if you are prudish, skip this post):

Album notes to Astor PIazzola y su Quinteto Tango Nuevo: Hora Zero (listen to it here)

Strip to your underwear if you’re not in black ties. Get obscene if you want, but never casual. You feel an urge? Touch its pain, wrap yourself around it. Don’t put on airs. What you seem must be what you are, and what you are is a mess, honey, but that’s okay, as long as you wear it inside. Look sharp! Don’t slouch. See anyone slouching here? Stay poised, taut. Listen to your nerves. It’s zero hour. Anxiety encroaches, wave after wave, with every squeeze of the bandoneon. Already twisted by the contraposto of uprightness and savagery, this new tango turns the screw even tighter with its jazz dissonances and truncated phrasings. No relief. No quarter. At zero hour only passion can save you… It’s all a game. You’re going to play too. You’re going to dance with the tiger. Don’t worry, your life is in danger. Remember your instructions. Listen up. And suffer, m*****f*****, this is the tango.

Man, they don’t write them like they used to!

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