New York Interlude: Can’t trust that day…

So it’s Monday. I'm looking back at the things that occupied my hours (if not my thoughts) today and I've come up with a short list of five:

1. I looked for a summer purse. Anyone who has been to my house lately knows the saga of the summer purse -- I talk freely (and constantly) about it. And if you don’t know the saga of the summer purse, consider yourself lucky. It is the most indescribably boring story on earth, en par with reading a detailed account of the decision-making process involved in choosing the color of towels for your bathroom (spare yourself the tedium there: white always works). Suffice it to say that the summer purse issue remains unresolved.

2. I shopped for a Picasso. An original. To hang in the bedroom. More on this later.

3. I discovered that green and black/gray go well together. See photos below of black-clad park-goers.

4. I went grocery shopping and stood in line that was some 60 people deep at the checkout. Whole Foods is doing well in NY.

5. I read seminar papers.

About the Picasso. It’s brutally simple: I walked over to a small gallery on 79th that was displaying privately owned paintings by Picasso. (I sort of came across it by chance.) Thirteen canvases – none of them familiar to me nor probably to the general public, as most likely they had been hanging in various homes, only now the owners have keeled over and the next generation is lusciously picking through the riches and putting them up for sale in order to rake in some cash.

There were only three people in the gallery: a woman my age but way more polished and coiffed than I and her entourage of two: one gallery rep and one advisor.

The woman was deciding if she should purchase the biggest canvas of the lot – a nice blue and yellow rendition (Ocean perks up here) of people in some macabre poses. It was Picasso’s later work – maybe from the fifties – where the limbs and torsos were beginning to look….distorted.

I hung next to the little party of three (I’m sure they loved that) and listened to the back and forth, having never myself had the problem of laying out millions for a canvas for my bedroom. I was intrigued as to what would be the tipping point.

It seems that the gallery rep hit the right tone. He explained to her that the reason she (rather than me perhaps?) deserved that particular canvas was because she had enough Picassos to make her home a place where you could appreciate the progression of his work. He told her: you have a whole story of the artist… simply replace that painting you have in your bedroom (he knows her bedroom?) with this one (is it fair to the public at large to hide a huge Picasso canvas in a rich lady’s upper-eastside bedroom where presumably only her lovers enter?).

I left before she gave the final nod, but I could tell she was going to go for it. I would have taken a photo of the canvas – the last glimpse of a piece of art that would now be displayed only at the whim of just this one person – but I’ve been scolded so many times now for dangling a camera in private galleries that I no longer bother. It hurts each time.

Fascinating. Spending millions is actually quite easy. It works pretty much the same as handing $3 across the counter for a latte.