Passion of the Christ: After a horror-movie beginning, complete with demons, menacing music and creepy camera moves, Mr. Gibson settles into a long, relentless contemplation of torture, maiming and execution. His stated goal was realism, but the emphatic musical, visual and aural effects — the first nail is driven into Jesus' palms with a sickening thwack that must have required hours of digital tweaking — make the film a melodramatic exercise in high-minded sadomasochism. In spite of concerns about the anti-Semitism of Mr. Gibson's portrayal of the Pharisees, the movie is more grueling and unnerving than outrageous or offensive. For a movie made out of such evident religious conviction, it seems utterly lacking in grace.
Dirty Dancing: Havana Nights: This reimagining of the recklessly melodramatic 1987 original is packed with flashy, taffeta silliness, and a desperation for a sweaty PG-13 sexiness so laughable that the cast members deserve Oscar nominations for getting through the picture without cracking up.
Twisted: The greatest mystery in this laborious, nonsensical thriller is why the director Philip Kaufman bothered to lend his talents to such mediocre studio hackwork.
I suppose it is not inconceivable that the producers will try to salvage some good words from those reviews, if only for the future DVD rental market, which is often driven by reviews on boxes. For example, you could truthfully quote (without even changing the meaning much):
Passion of the Christ: “Mr Gibson settles into a long…contemplation. [E]mphatic musical, visual and aural effects.. a melodramatic exercise.. a movie made out of …evident religious conviction.”
Dirty Dancing: HN: “Packed with flashy…sexiness… The cast members deserve Oscar nominations...”
Twisted: “The greatest mystery…thriller… The director Philip Kaufman lend(s) his talents...”
Not exactly catchy slogans, but if you’re a dazed customer who has just spent 3.5 hours staring at countless DVD boxes trying to decide what to rent, it all kind of blurs together anyway.
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