Tuesday, November 24, 2009
early
Did you know there is such a thing as a New York subway schedule? And that, according to it, the No.6 leaves the Bleecker Station, heading uptown at 4:36 a.m.?
By 4:30, we are at the station. Ed is making sure I get to my proper subway/bus connections at this horribly early, or horribly late hour (depending on your habits). As I slip in the money for a subway ticket, we hear the train stop and then pull away. Six minutes early. And now it’s a mystery as to when the next one will come.
The unreliability of these early hour trains and buses causes me to give up on total frugality. I wave to Ed (who’ll be traveling later that night) and catch a cab for Grand Central, where I wait for the first airport bus. Forget about the whole subway to M60 bit. This time I am like one of the anxious in a hurry New Yorkers who can’t be late no matter what.
Even as in New York, it can be tough to be in a hurry.
The streets are almost empty still. Down in the Village, I would come across the occasional dispirited person walking away from someone’s apartment, or the restless night person who sleeps on a different schedule. Here, in these downtown blocks where no one lives, I only see the occasional person who waits, like me, for the working day to begin. Or who is starting to work. Or who waits for work.
But New York is never really quiet or dark. As the bus approaches and I get ready to board, I take one last look.
For a long long time, this was pretty much the America that I knew. Like for so many here, there was only New York, and then some nameless other regions beyond it, they say with purple mountain majesties with oceans on either side. I’d driven through them, I even occasionally stopped for a week-end or a week. Quaint places where I could see more trees or ripples of ocean water, but then I would return to the city that was, for me, the familiar America.
One last look. As the plane taxis in the hour just before sunrise, in the black and white world of a cloudy hazy morning.
I take out my papers and focus on the day ahead.
By 4:30, we are at the station. Ed is making sure I get to my proper subway/bus connections at this horribly early, or horribly late hour (depending on your habits). As I slip in the money for a subway ticket, we hear the train stop and then pull away. Six minutes early. And now it’s a mystery as to when the next one will come.
The unreliability of these early hour trains and buses causes me to give up on total frugality. I wave to Ed (who’ll be traveling later that night) and catch a cab for Grand Central, where I wait for the first airport bus. Forget about the whole subway to M60 bit. This time I am like one of the anxious in a hurry New Yorkers who can’t be late no matter what.
Even as in New York, it can be tough to be in a hurry.
The streets are almost empty still. Down in the Village, I would come across the occasional dispirited person walking away from someone’s apartment, or the restless night person who sleeps on a different schedule. Here, in these downtown blocks where no one lives, I only see the occasional person who waits, like me, for the working day to begin. Or who is starting to work. Or who waits for work.
But New York is never really quiet or dark. As the bus approaches and I get ready to board, I take one last look.
For a long long time, this was pretty much the America that I knew. Like for so many here, there was only New York, and then some nameless other regions beyond it, they say with purple mountain majesties with oceans on either side. I’d driven through them, I even occasionally stopped for a week-end or a week. Quaint places where I could see more trees or ripples of ocean water, but then I would return to the city that was, for me, the familiar America.
One last look. As the plane taxis in the hour just before sunrise, in the black and white world of a cloudy hazy morning.
I take out my papers and focus on the day ahead.
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I think your night photos might be your very best. To me they are certainly the most compelling. The photo that especially stands out in my mind, is one you made in the past year in Italy of three men walking away from you on a cobblestone road.
ReplyDeleteThe night photos in today's post are beautiful, and like all great photos compel the viewer to create a story to answer all the little questions implied in the photo. They live beyond the frame. Where is the figure in the foreground going? Is he walking toward you or away? What are the two people at the end of the block talking about? Are they planning something or just talking?...and so on.
The subtle colors in these photos and your strong sense of composition contribute to the beauty and strength of these images. Well done!
Absolutely stunning views thru the photos and the words.
ReplyDeleteI have come to know a wee bit of your Ameryka and New York as seen by your immigrant eyes.
Your stories are so simply captivating. I never cease to be inspired here.
You remember things that I know, but have no memory of.
You are a true teacher. You share.