Saturday, March 19, 2005
New York break: in search of the black& white and finding color
If I read that a gallery is displaying the works of six “preeminent” photographers and “every piece in the show is a beauty” and “you’d be hard pressed to find so many examples of important photography in one place again,” then, even if the gallery were an obscure, tiny little place, I would look for it.
But obscurity has its shortcomings: it places limits on one’s ability to find things, especially if the New Yorker publishes the incorrect phone number and the incorrect address in its listing.
Fire the magazine fact-checker!
If my morning was spent on chasing down the black&white, my afternoon was all about color. When did TriBeCa lose its "lofty" brown and gray tones? Just a quick look here at today's shades and hues, with one big splash of color at the end, from a street fair:
But obscurity has its shortcomings: it places limits on one’s ability to find things, especially if the New Yorker publishes the incorrect phone number and the incorrect address in its listing.
Fire the magazine fact-checker!
If my morning was spent on chasing down the black&white, my afternoon was all about color. When did TriBeCa lose its "lofty" brown and gray tones? Just a quick look here at today's shades and hues, with one big splash of color at the end, from a street fair:
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