The word's just in: they got the sound right!

This afternoon I spoke to friends who had attended the opening night performance at the Overture Center for the Arts. After reading rave reviews all morning, I was not surprised to hear them say that it was “beautiful” “spectacular” “etc” “etc.” And, they said “the sound is magnificent!”

I am glad about that. It would be terrible, terrible to invest so much in this project and not get the sound right, even though it was a gift and you can more readily forgive a gifted Center that turns out to be a clunker, in the same way you can forgive a calendar that you get as a gift for the New Year that has absolutely the worst possible motif running through it (say cats, and you hate cats, or a-joke-a-day and you fail to laugh a single time for the 365 times you turn a page).

Of course, I marvel at the ingenuity of it all: to know in advance of such a construction project that you will get the sound right. I was sitting with a group of people last week and we were marveling about things that are incomprehensible to us – like sending a fax or writing a WiFi message (choosing to ignore the fact that, of course, sending a fax is more imaginable than creating a baby that has your horrid jaw out of invisible-to-the-naked-eye genetic material) – but I think this, too deserves inclusion into the world of marvels.

Or, maybe it was tested as it was being built? Perhaps someone was hired to drop a needle every so often to see how it echoed as it fell to the concrete. Or, better yet, an opera singer came in during construction and belted out a few lines of an aria to see how it was going. Maybe the ceiling had to be tilted differently again and again until Nessun dorma! sounded exactly right – how do I know, I’m no sound expert.

And herein lies the sad truth: neither are most of the people who attend the performances at the Arts Center (unless after you pass into some strata of refinement you develop audio-sensory skills that the rest of us down there haven’t even aspired to). But I want to find out: how DO things sound in the great new hall? Does it bounce of the walls? Does it resound? Is there an echo? I am a music buff. I have attended orchestral performances since I was a pipsqueak. But I could never tell if Alice Tully Hall was an improvement over Carnegie Hall or not. It struck me as the same.

The odd thing is, it can’t matter to the younger-than-me generation of concert goers. They have their ear drums completely warped and distorted through years of attending rock concerts. And if sound mattered so much in the Orchestra Hall, why does it not matter at all at the conerts where it’s all about Volume rather than Quality? So perhaps this new Orchestra Hall is not only for those of refined pocket book, but also of refined age. I almost qualify there!

In any event, I am looking forward to listening for the new improved sound and I hope I can tell, at least as much as all these enthused non-musician patrons say they can tell. I do not really remember what it sounded like before, but famous guest artists kept coming anyway and I suspect the capacity crowds they drew couldn’t tell how horrid the sound was, marveling obtusely at the gifts and talents of the performing artists instead. How odd of us all to have done so. Now we know better. Or – at least we think we do (I’m sure I will too!!) and that’s good enough, isn’t it?