Thursday, January 20, 2005
I dedicate this song to all the people out there who try to make those immediately around them feel good about their lives.
… And for the ones who make no such effort – get with it!
[Each year I take a new CD for my friends in Poland – one that exemplifies a pop-jazz trend on this side of the ocean and is lovely to listen to. This year I took Peter Cincotti’s “On The Moon.” I have loved this for months now. I haven’t read a single review that’s anything but glowing. They all say similar things, like this: “Unlike many talented youngsters, Cincotti is neither rebel nor revivalist. Rather, he combines a bit of the bluesy New Orleans raunch of his mentor Harry Connick, Jr. with a distinctly Big Apple sophistication that's as much Brill Building as it is Blue Note. The result is something at once fresh and accessible, based in classic forms yet quite contemporary.”]
From the terrific batch of them, what one song is best for the tenor of this post (and best from the collection, in my opinion) ? -- "Some kind of Wonderful."
I should qualify: you cannot fuss about the banal lyrics. (For example – your embrace – happy place, touch my hand – understand, alright, alright, how sap sap sappy can it get... But if you take it for its entirety, it works. Really.) And note that piano weaving in and around his voice – they say that Carole King had her hand in these notes, I can hear it.
I tell you, I would not have gotten through the last months without these melodies. And yes, of course, it got me through this dark night of work as well.
[Each year I take a new CD for my friends in Poland – one that exemplifies a pop-jazz trend on this side of the ocean and is lovely to listen to. This year I took Peter Cincotti’s “On The Moon.” I have loved this for months now. I haven’t read a single review that’s anything but glowing. They all say similar things, like this: “Unlike many talented youngsters, Cincotti is neither rebel nor revivalist. Rather, he combines a bit of the bluesy New Orleans raunch of his mentor Harry Connick, Jr. with a distinctly Big Apple sophistication that's as much Brill Building as it is Blue Note. The result is something at once fresh and accessible, based in classic forms yet quite contemporary.”]
From the terrific batch of them, what one song is best for the tenor of this post (and best from the collection, in my opinion) ? -- "Some kind of Wonderful."
I should qualify: you cannot fuss about the banal lyrics. (For example – your embrace – happy place, touch my hand – understand, alright, alright, how sap sap sappy can it get... But if you take it for its entirety, it works. Really.) And note that piano weaving in and around his voice – they say that Carole King had her hand in these notes, I can hear it.
I tell you, I would not have gotten through the last months without these melodies. And yes, of course, it got me through this dark night of work as well.
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