Arles!

Lake a late nineteenth century canvas, let this post first give you the impression. Then, if you want, you can read the text and search for the detail.

Arles on December 2, 2014 is radiant! Surely this is the light so admired by Van Gogh when he first came here in 1888. It's a glorious day for me: brilliant in tone, color, sunlight, taste and depth. May I never forget it. May all the small pieces found here, grow into an even more beautiful collage long after I am gone.

I must remind you, lest you're tempted to take the next flight/train over and find yourself in Arles tomorrow (after reading my glowing introduction): this is an old town. It struck me in studying your comments, that someone may not be so in love with putting up with all that being old involves: not all the shutters and stones are polished, painted or refreshed. The streets are narrow. There are more cracks than smooth surfaces. Gauguin, arriving on Van Gogh's enraptured invitation, promptly admitted to hating it here. (A real slap to Vincent.) And, too,  for us, if we venture out during the hours when the town sleeps (midday for lunch, and Mondays because it's Monday, and early in the evening because no French person worth her salt is going to shop past the supper hour), I suppose it can appear forlorn.

Not for me: I'm with Van Gogh. Fact is, living now as I do in the land of the new, I miss the old. I miss the character of irregular structures that share walls imperfectly. Of streets and blocks that don't quite replicate the squares of a chocolate bar. I miss bleak doorways that, when opened, reveal beauty so deep that it overwhelms you. Arles is like that. On a cloudy pouty day it may seem tired. Yes, going back over yesterday's photos, I can see that. But even without today's beautiful light, I am sure I would have been mesmerized. Perhaps not so floored as to sob deep tears of joy (a I almost did, retreating over the river this afternoon), but I still would have loved its tattered exterior for all that it holds back inside. Like a famous someone or other once said -- they don't make 'em like this anymore!


Breakfast. I'm the only guest at Le Patio d'Arles and in fact, after my visit, they're closing for the rest of the year. My hosts, Vincent and Nathalie, join me.





A croissant with her home made jam of apples (from their second home in Normandy) rhubarb and Calvados, yogurt, fresh fruits, juice, and superb coffee.

We discuss whether running a three room B&B is like tending three hens. (I say yes, Vincent protests: he and Nathalie can walk away for a day, a month. And, too, they get a positive kick from interesting guests. I don't admit that actually, I get a positive kick out of our three hens. Of course, Oreo is like a difficult guest. But he's improved!)


Then begins my plunge into the heart and spirit of Arles.

Out the door...



(bundled against a morning chill)


Across the river...



(clouds receding)


Into the yellows and blues of Arles...






I want to start with the Fondation de Van Gogh (once a hospital, where, in fact, Van Gogh stayed, now a center of art) and on my way there, I pass Monsieur Cavico (that's a best guess from seeing his name on his paintings), working on the old stones of a floor. His own canvases are stacked against the garage walls.





We chat. He is my flesh and blood artist of today -- I run into him (coincidentally) several times and during each encounter, I learn something new about art and Arles. (I also learn about his son, a chef in New York and about a bunch of other details of his life, but what really stayed with me is his pride in work.)


The books say the Fondation opens at 10 in the winter. They're wrong. It's 11.


I go on to my next I-have-to-see-this item: the Eglise St-Trophime.

I pass bakeries...






And a shop with wool, where the store owner sells some of her creations...



(what soon to be grandma can resist this handmade piece for a winter baby?)


I come to St. Trophime. The outside portal is the marvel, but I didn't see it and neither will you: it's behind scaffolding right now. Inside -- a beautiful Romanesque interior.






Outside, a stunning 12th century bell tower, against a very blue sky!






But it's the cloisters to the side that really take your breath away (and especially on this day of deep blue skies and streaming sunlight). The added bonus for me -- total quiet. There are no visitors on a midweek morning in December.






And another bonus -- one that causes me to actually stick up for the people who come here in months other than November and December: Provence is known for the Santon sculpture -- small figurines engaged in traditional tasks, formed and painted by local sculptors. Because this art form began with molding pieces for Nativity scenes, the Santon exhibition at the cloisters abides by the tradition of displaying them only at Christmas time. Even though only a very small number these days have anything to do with Christmas. I protest this, but hey, maybe for the locals, it's reason to schedule a visit here in months when there is very little else that would be a draw. A bit like Christmas markets in northern Europe -- a way to get people hyped about going there during the worst months of the year.

My favorite Santons from the displays:



(note: they're tiny!)


And yes, you can purchase very simple ones for your collection and no, I'm not in a buying mode. I would only purchase one if it was of a woman with a cheeper and if it doesn't cost much. Oh! Both conditions satisfied!






Outside again, I walk along the pedestrian routes and I do some people watching.



(he sings beautiful old melodies)





(Provencal conversations always involve hands; note: pinks and orange!)





(what Ed would never wear: a Provencal hat and a scarf)


Then I return to the Fondation. Van Gogh wanted to create in Arles a community of like minded artists. After a long back and forth, Gauguin finally came to paint with him. No others followed, possibly because Van Gogh was by then so terribly burdened by his mental illness. Gauguin himself left immediately after Vincent severed his own ear.

But they say that Vincent Van Gogh's dream was realized, albeit more than a century later, by the creation of the Fondation, which invites select artist to display their paintings. Right now two are featured -- Yan Pei-Ming and Bertrand Lavier. I watch the film clip as both talk about preparing for the exhibition. I am mesmerized by the interviews! Imagine: you're an artist. You're told you've been selected. How do you cope?!

Yan Pei-Ming began by painting Van Gogh's self-portrait (a painting using a painting as a model) to guide him in the endeavor.






He rejects it for the display. Not the statement he wants to make. Next, he uses the same brush strokes, but creates his own impression of how Vincent may have once looked. (These are on display.)






Lavier, the second artist, approached things differently: for him, Van Gogh's brush strokes create the art. And Lavier uses them not only on a canvas. Here's something you might like:






You're thinking -- a painting of a keyboard... But in fact, it's a whole piano, completely painted over with Van Gogh styled strokes!



(Ocean author in the mirror)


And here's a Lavier canvas: can you see the thick, wide strokes?






And here's a correction to yesterday's post: there is, right now, an actual painting by Van Gogh in Arles: it's his self-portrait, painted from a mirror (on loan from Amsterdam). It's presented in a room where Lavier added brush strokes on a mirror that faces Van Gogh's painting. I can't photograph the entirety, but here's Van Gogh's self-portrait:






The Fondation Van Gogh has a rooftop terrace. I spend a few minutes here, letting it all sink in. The colors below, made tame by winter light are sublime.











I leave the Fondation so moved, so overwhelmed by the human story behind art, that it's one of those "Nina cries yet again" moments. I am not ashamed.

I eat lunch at Le 16: a tiny place of Provencal food, recommended by my hosts. And I order a full, 3 course (fixed price) lunch, to make up for yesterday and knowing that I wont want to head out for dinner again tonight.

I start with the traditional Arles sausage: it consists of minced beef and pork, herbes de Provence and bacon macerated in the local wine. It's then dry-cured for 6 months et voila!



(in sunshine!)


Next, a sea bream baked in olive oil, sitting on a bed of leaks and pea pods and carrots, with a side of Camargue red rice.






And finally, warm baked apple slices, with just a dab of vanilla bean ice cream.







After, I walk then through the Place du Forum for the n-th time and now I finally get an angle of the yellow building that I like. What yellow building, you ask? It's the house where Van Gogh lived. Here's a snippet of his famous painting:






Here's the yellow house today:





I can take in no more now. I have purchased a baguette, this time with chevre, arugula and tomato for the evening, just in case. I retreat to the B&B, take a short daytime nap (who wouldn't after all the fresh air and, too, fresh and honest food) and begin to reconstruct the day here, on Ocean.

I'll leave you with something Monsieur Cavico said to me when I told him I had retired to write:
La vie, cette une belle histoire! (life is one beautiful story)
 

the arrival

I have to say, a European trip in December requires a bit of stamina. It's not a put-your-feet-up-and-exhale type of journey. You have to brace yourself, first for the shocking reality that the sun does set even earlier in Europe than in the US and secondly -- you just never can tell about weather.

If the French Mediterranean coast boasts 300 days of sunshine per year, I have to think the 65 rainy days are crowded into winter months. It's been raining in and around Marseille for more than a week now and today, my flight from Paris landed into a densely clouded covered terrain.

Train stations are not happy places on winter days. Unless you find yourself a cafe bar, you're going to be standing and you're going to be cold. Especially if you're going on no sleep and on some frivolous impulse, you took off your warm sweater and buried it in the suitcase. I had half an hour to kill -- just enough time to buy a ticket, to catch the view out onto the city...






...but not enough time to sit down and -- how's this for an idea -- eat something substantial. (That early morning pain au chocolat is but a memory. I'm hungry!)



Marseille


The train ride to Arles is short -- less than an hour. I keep dozing off and of course I worry that I will sleep right through the stop. I'm relieved as I get off with a handful of commuters in this town of about 50,000.

Now Arles. Or, you could say -- why Arles? And here's where my travel patterns are admittedly strange. My answer would be -- why not? Requirements for a destination to make it onto my itinerary are scattered and maybe a little random. I like small towns rather than big cities. I'll scratch off a destination if I cannot find a lovely and affordable place to stay. I want to look forward to my nightly returns. Sure, I like towns that have an interesting history, architecture, regional personality, but I don't need a lot of it. I like to walk and I want good, inexpensive food to be readily available. There, you see? Arles fits the bill.

A word about this place: it's on the River Rhone.





This is Europe's major (dare I say THE major?) river and the southern-most bridge over it is in fact in Arles. If you follow the river even further south, toward the sea, it branches and creates a delta and the lowlands around it (think horses and gritty terrain) are known as the Camargue -- sort of like Texas, only without the ego.

But you may have heard of Arles in a different context. This is where Van Gogh lived for a little over a year and this is where he and Gauguin painted and fought, and this is where Van Gogh took his ear off. Van Gogh worked furiously here --  perhaps 300 canvases and sketches can be traced to Arles. None of them are here right now. But Arles is where you will find the ghost of Van Gogh and it is worth searching for it as you walk the streets of this old town.

Arles also has important relics that date back to the Roman Empire. You will surely see those in my photos.

My B&B is quite good. (It's called Le Patio D'Arles, which you pronounce Le Pah-see-o Darl, which I think is kind of funny.) I'm greeted with a glass of wine and a plate of cookies -- such a nice welcome to a very weary (and hungry!) traveler.


 


The one thing to note is that the B&B is actually across the river from the center of town. This has two consequences: first, you'll be seeing a lot of photos of the river, because I'm crossing it a lot.

Secondly, on this arrival day, I'm too tired to make two trips into town and so I skip heading out again for dinner and eat a baguette stuffed with eggplant and artichokes in my room, accompanied by the usual great and very cheap rose wine from Provence.

But that's my evening for you. Earlier, I did devote some hours to exploring the city, just as the wet, brooding skies began to clear.

Over the river...






...and into town. I walked. A lot. It's not a tough place to navigate and everywhere you turn, you find both the ruins of that splendid Roman past and, too, traces of Van Gogh. Just a handful of photos, to give you an idea of what it's like to stroll through this very quiet in December place.














(90AD  two-tiered Amphitheater, with add-on Medieval towers)





(climb those towers and you get The View)








Is it late afternoon or early evening when the last traces of the sun disappear?  It happens just after four, when the mothers are picking up their children from day care and from school.






They stop to shop. At the bakery for bread...









(this is to tease Ed, who loves Napoleons; I buy my baguette sandwich here)


...at the grocers for the usual needed items (the dog comes along, of course).



(I pick up Badoit mineral water and the rose wine)


I'm lucky with the weather. It seems the rains are packing up and heading inland, toward central Europe. The highs here are near 50F/10C, the lows are in near 40F/4C. I can live with that!





Even as I really should catch up on sleep!

the travel, part 2

Flying out of Madison to very distant places is never a straight arrow trip. You have to connect. For me, the obvious choices are Detroit or Minneapolis. (Other hubs are too congested with too many delays.) And I like both! These airports are where I change my mindset -- from here to there, across the ocean and then on the return, from there to here.



(leaving Minneapolis)


If I draw a line down the middle of the page and on the left -- list all the ocean crossings that are hassle free and on the right -- all the ones that would drive even a laid-back sloth crazy, this set of connections definitely has to go to the left. (I do not count such small details as a fire in the galley on the ocean crossing because, after all, we did not have to divert. The flight attendants reached for the extinguisher in plenty of time and the smoke in the cabin had a pleasant aroma of burnt sugar.)

Okay: over the ocean, and I'm in Europe.

Paris is a pass-through airport for me today, but oh, is it easy to love the minutes here, despite the fact that it's an insanely busy place with long lines and hold ups at every turn. Why the great affection? Well obviously for that first taste of pain au chocolat. I know, I know: it's a tiny blimp -- a nanosecond of bliss in the scheme of things. But it portends of great things ahead! Even as a very young solo traveler, I would alight here and think -- wow, I'm inches away from those wonderful bread products! And despite the tiredness, I would smile and smile.





From Paris, in just a few minutes, I'll catch the flight to Marseille. I'm not pausing in that great Mediterranean port. That would be a repetition of last December's trip to France. Contrary to what Ed will tell you, I do have  a little bit of curiosity for the new. Even in December.

So from Marseille, I'll take a train into the heart of Provence and away from the sea. First stop for me (two nights only) will be in Arles.

(to be continued)

the travel, part 1

And now time takes on that odd spin, confusing everyday habits and schedules, wrecking predictable meals and routines, jumping over zones like in a hopscotch game -- eventually, but not until the very end of the trip, returning to home base where all will be right with the world again.

No matter how many times I make this trip across the ocean, I am always surprised that breakfast here, at the farmette, with Ed, with the usual cheeper art on the table and predictable foods before us...



...will feel so distant, of another era in very few minutes.  You're there, you're not there. It's that simple.

It's a cloudy day, a drippy day that promises to change to a bitter cold day very quickly, but not until after I am out of here. Ed listens patiently to all my instructions (clean this, eat that, water these...), then drives me to the airport where I wait for my flight to (connection no.1) Minneapolis.

(to be continued)

the day before travel

It's beautiful out there, on this sparkling blue skied morning! There is such irony in having November exit on a high note. We've had weeks of a deeply brooding winter. Reconciled to the worst end of Fall in memory, here we are, waking up now to something quite brilliant.






I'm up to let the cheepers out of the coop. It's just at freezing, but of course, everything around the entrance to the barn is hard as rock: slippery, with a thin coating of snow. It's not their thing.






They peek out. They retreat.






But the sunshine is promising and I know that we'll be able to clear a path for them later in the day. In the meantime, we have our sun-splattered breakfast...






...and we take a walk, too. All the way down to the Nature Conservancy, where we want to release yet another trapped mouse. (I've stopped counting.)






And the afternoon just flies!



(the turkeys that survived Thanksgiving)


We go back to the barn and cajole the cheepers to step out for a bit -- to the sheep shed and back.



(can you see all four? can you see Ed?)


And finally, to cap this day of beautiful sunshine,  I get up on the porch roof and sweep the remaining snow off of it. It's like starting December with a clean slate.


I'm leaving tomorrow and so my focus is a little on that, though truthfully, on these solo trips, I'm not that concerned about packing. You can't go wrong. No one will know if you don't change your shirt the next day. No one will care if your earrings don't really match your outfit. Or if you've even bothered to put them on. So I pack just a few things for this 12 day trip of mine and I'm good to go.

One of you asked me -- where to this time? For me, December is not a month to be adventurous. I look for some place that offers a high likelihood of sunshine and decent temps and there aren't many places in Europe that will give you both. So, a few days in the south, followed by a few days in Paris -- which is always beautiful in December, weather notwithstanding -- and home again by the end of the second week. The time for adventure is in spring and summer. Now, I just want a chance to take good walks outdoors without slipping on solid frozen ground.

I always insert a caveat that my writing may be disrupted in the days of travel. I don't know why I do it -- I haven't skipped a day all year, but honestly, when you're on the road, you just never know.

So, from elsewhere next time! Surely with wishes for a calmer, brighter December for all of us!